In Reviews

"In Pearl Pirie's poems, language ferments, foments a "vinegar vigour." Flipping the labels off contemporary mores, cooking with sound, she offers quick food for thought. Keep up with her if you can. "
  
"Precise riots of vowels and consonants rattle these poems. Pearl Pirie's lines burn with sonic-rich images. Her verbal verve is rooted in an ecstatic attentiveness to language, both found and formal. Moving from sonnets to dialogue poems to tercets, these poems shelter surreal and uncanny imagery. Charged with innovative and lyrical energies, the pet radish, shrunken is a gorgeous rebellion."
 
I read the book through three times[...] I very much enjoyed it. I laughed out loud on multiple occasions which is no small feat for a book of poetry! It was delightful. The poems collected in  the pet radish, shrunken  invite us equally into routine and catastrophic events. The delights of each new moment is tied with those memories that so casually insist on a place in a present.  With humour, play, and brass, Pirie revels in the daily raucous of domesticity, verbatim conversations, and the language that must somehow hold a whole existence. 
 

"Pearl Pirie and Kateri Lanthier both use a flitting, ghazal-like strategy to deflect the full force of their affections for their respective “yous” in their witty, conversational rambles."
 
This very small chapbook came in the mail yesterday along with several other subscription items from rob mclennan’s also small but many-windowed publishing emporium. Once past the cryptic title, this one is more than worth the price of subscription.  [...]  Goldy cannot get out of the woods in this skillfully and amusingly critical parable -- because those woods were darker and more complicated even back in 1918 than we readers first noted. Dark and complicated woods, which in Pirie's interrogative narrative become fresh woods too."
 
"The poems were obviously crafted with care and attention to language, but manipulation of spelling and syntax purely for its own sake did not prove rewarding for me, similar to Nichol's experimentation in the same way."
 
"Part of the appeal of following Pirie’s work over the past few years has always been in not entirely knowing where her work might go next, shifting between narrative forms into more traditional engagements with haiku as well as more experimental forms of language and visual poetry, playing constantly with different shapes and possible sounds. [...] [T]hrough her curiosity, her work manages to accomplish a series of unexpected moments and startling, even jarring, images."
"My epiphany that Vertigoheel for the Dilly is a personal essay, touching on interests and frustrations that percolate through her social media outlets—barely skims the surface of this little chapbook’s big ambitions. "
"Stylistically been shed bore offers a plethora of choices and the unendingly exuberant imagination of Pirie who comfortably stakes out her space as she explores a wide range of poetic forms [...] What I have been clumsily trying to express is my admiration for those poems I loved in this collection, and there were many.  But equally, my awe at Pearl Pirie's comfortable range, this book is so much thicker than it appears. "
 
"It’s only fitting that one of the city’s literary forebears was a poet, as Ottawa has been called “the poetry capital of Canada. For a city of its size it boasts an impressive number and variety of poets, readings and publications [...] An incomplete list of some other writers with Ottawa connections[...] Henry Biessel, Dorothy Speak, Monty Reid, Blaine Marchand, First Nations writer and publisher Katerie Akiwenzie-Damm, Christopher Levenson, Daniel Poliquin, Moira Farr, Amanda Earl, slam poet Oni the Haitian Sensation, jwcurry (called “the best concrete and visual poet in Canada”), Pearl Pirie, Christine McNair, Max Middle, *John Barton, Terry Fallis[...]"